The top five new books to read this spring | Books | Entertainment

Whether you are an avid reader or someone just looking to dip their toe back into the book world, a list of recommendations can never go amiss. Spring is the perfect time of year for reading, as the weather improves and the local park suddenly becomes more inviting. But sometimes choosing the right book to get back into it can be pivotal. Below, we have listed some exciting new releases to tempt you.

Here is a list of five books that DAZED has shared, perfect for some spring entertainment. From the controversial figure, Lena Dunham’s memoir, to a juicy fiction title, there is plenty to choose from.

The book’s synopsis reads: “Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early ’90s art world in New York City, where only one of them can make it.

“Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world.

“While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation.

“Ruth and Maria’s decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.”

Famesick has been highly anticipated this year, with much controversy following author Lena Dunham after the release of her 2014 book Not That Kind of Girl, which created a wider conversation around intimacy and privilege.

The book’s blurb reads: “In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain.

“For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, ‘like towing a wrecked car across town at midnight.’ It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was.

“As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience.

“In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.”

On the book, a Guardian review states: “Famesick sheds almost all the Richard Curtis-isms to find that old, controversy-courting Dunham alive and – if not exactly well – then learning to cope with it.”

The book’s synopsis reads: “A propulsive tale of intergenerational tension and revenge from the Booker Prize nominee.

“Every successful marriage has its own private language.” So it is for baby boomer Kate and her beloved architect husband Jack, thirty years into their seemingly idyllic metropolitan North London life. And so it is for spiky millennial screenwriter Phoebe and her charming loafer of a partner, Tony.

“But when Phoebe’s steamy television series Cheating becomes the year’s most talked-about show, Kate thinks she sees in it details and intimacies of her marriage that only she and her husband could possibly have known. Who has betrayed whom? Who has stolen whose story—and why?

“A black comedy of love, trust, resentment, and entitlement, Look What You Made Me Do is the sharply observed and suspenseful story of two very different women from two very different generations, entangled in a battle only one of them can win.”

The book’s synopsis states: “‘Sophie out-jars The Bell Jar with this dark and gleaming masterpiece’ EILEEN MYLES

“Everything falls into she will get sober, she will eat well, she will start sleeping properly, she will work hard, she will resurrect her career, she will make The Lakes, she will charm Mitch, she will be somebody

“Pearl is a thirty-something filmmaker balanced precariously on the edge of an addiction-fueled breakdown. But when she is invited to interview her idol and crush, lesbian cult filmmaker Mitch Meyer, her stilted life restarts.

“Buoyed and seduced by Mitch’s interest in her and her work, Pearl swaps alcoholism for romantic obsession, and London for a summer in New York with Mitch. All the while she is haunted by a project she has been toying with for a film about Veronica Lake, a 1940s film star who drank herself into obscurity.”

The book’s blurb reads: “A taut, electrifying debut about a woman forced to confront unsettling truths about herself, her past, and the life she rebuilt following a ruinous affair with her former mentor, from a “lit world phenom” (Harper’s Bazaar).

“I have the sense that something is being drawn between us. Not drawn as in line but as in arrow pulled back. But I don’t know which of us holds the bow, and which of us faces the arrow.

“Christine is on tour for her novel, a revenge fantasy based on a real-life relationship gone bad with an older professor ten years prior. Now on the road, Christine is seeking answers—about how to live a good life and what it means to make art—through intimate conversations with strangers, past lovers and friends.

“But when the antagonist of her novel—her old painting professor—reaches out in a series of sly communiques after years of silence to tell her he’s read her book, Christine must reckon with what it means to lose the reins of a narrative she wrote precisely to maintain control. When her professor invites her to join him at his cabin, deep in the woods of Maine, what she encounters threatens to change the very foundations of her life as she’s imagined it.

“A delicately explosive high-wire act about the fictions we construct for ourselves just to survive, Discipline is a terse triumph about art-making and rigor, intimacy and attention, punishment and release.”